EXTRADITION IS . . .

Based in Portland, Oregon, USA, Extradition is an ensemble dedicated to exploring the history and depth of the American experimental tradition and the global disciplines of open composition, guided improvisation, and other forms it helped inspire. We collaborate closely with both known and emerging composers worldwide, producing quarterly concerts and intimate recital events that unite composition and improvisation, deliberation and chance, clarity and silence. Our programs are tightly curated for a holistic listening experience, each piece blending the composers’ vision and the musicians’ creativity into a shared musical exploration. An ongoing recording project documents both our live concerts and special non-concert performances, reaching a worldwide audience via our YouTube channel and Bandcamp releases.

Concerts are held in January, April, June, and October, with recitals and other events scheduled on an ad-hoc basis.

Extradition is honored to have received grants from the James F. and Marion L. Miller Foundation, the Regional Arts & Culture Council (RACC), and the Oregon Community Foundation.

Miller, RACC, and OCF logos.jpg
 
 

ABOUT THE ENSEMBLE

Extradition’s name derives from our mission, exploring both the historical and contemporary expressions of the American Experimental tradition and the global movements it’s helped inspire. In the original Latin, ex traditio means “delivering up from out”—and that’s exactly what we do.

Our ensemble draws from Oregon’s classical, jazz, electronic, improvised, and traditional music communities, with key current and recent members including:

Matt Carlson – piano, electronics

Loren Chasse – percussion, objects

Ben Cohen-Chen – soprano & tenor sax

Brandon Conway – guitar

Annie Gilbert – trombone, voice, objects

Matt Hannafin – percussion

Gilly Ann Hanner – guitar

Maxx Katz – flute

Sam Klapper – violin

Juniana Lanning – piano, electronics, objects

Catherine Lee – oboe, oboe d’amore, English horn

Daniel Reyes Llinás – guitar

Collin Oldham – cello

Anthony Stillabower – voice

Stephanie Lavon Trotter – voice

Reed Wallsmith – alto sax

Shao Way Wu – double bass

Emeritus: Lee Elderton (clarinet, soprano & tenor sax), Caspar Sonnet (dobro, voice, objects), Andre St. James (bass), Branic Howard (guitar, electronics, objects)

Guest performers have included Gina Adorno (voice), Matt Anderson (percussion, voice), Linda Austin (dance), Francisco Botello (electronics), Evan Cordes (gongs), Christi Denton (electronics), Alissa DeRubeis (electronics), Douglas Detrick (trumpet), Tim DuRoche (drums), Derek Ecklund (electronics), Sage Fisher (harp), Barbara Ford (voice), Mike Gamble (guitar), John Gross (tenor sax), Mark Hannesson (trumpet), Patrick McCulley (saxophones), Margaret McNeal (voice), Jesse Mejía (electronics), Lorna Krier Milgaten (piano), Jacob Mitas (viola), Joel Nelson (electronics), John Niekrasz (drums), Rebecca Olason (French horn), Lara Pacheco (voice, objects), Christian Pincock (trombone), Dana Reason (piano), Alyssa Reed-Stuewe (voice), Danielle Ross (dance), John Savage (flute, sax), Jonathan Sielaff (bass clarinet), Bonnie Singer (voice), Glenn Sogge (electronics), Michael Stirling (voice), Marion Van Namen (voice), Jena Viemeister (voice), Blanca Stacey Villalobos (voice, objects), and Melanie Voytovich (percussion)

 

INFRASTRUCTURE

Matt Hannafin – artistic director / producer

Tim Westcott – live sound reinforcement