Extradition's 2018 Fall Concert will present five compositions that take radically different approaches to shaping sound into music.

> Cornelius Cardew, The Tiger’s Mind (Nightpiece) (1967): Brandon Conway (guitar), Lee Elderton (soprano saxophone), Lorna Krier (piano), Catherine Lee (oboe d’amore), John C. Savage (flute), and Shao Way Wu (double bass)

> Jürg Frey, Un Champ de Tendresse Parsemé d’Adieux (4) (2011): Matthew Andrews, Matt Hannafin, Branic Howard, Juniana Lanning, Margaret McNeal, and Melanie Voytovich (dry leaves / pebbles / whistling)

> Ryoko Akama, Tada No (2013–14): Barbara Ford, Gina James, Margaret McNeal, Bonnie Singer, Stephanie Lavon Trotter, and Marion Van Namen (voices)

> Daniel Brandes, Other Echoes Inhabit the Garden (2013): John C. Savage (tenor saxophone) and Claudia F. Savage (recorded poetry)

 > G. Douglas Barrett, A Few Silence (2008): Matthew Andrews, Matt Hannafin, Branic Howard, Juniana Lanning, and Melanie Voytovich (objects)